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about
Seven years ago. Nestled in an open clearing enclosed by towering pine trees, stands a lonesome cabin in the middle of the woody mountains of Colorado. That’s the magical setting where I started to write Sweet Joan. First, the chords came, and with them this sense of a ticking clock. From there, the story began to emerge as if from thin air –a story centred around two strong women: a sorceress (Evelyn) and her mortal lover Joan, whose lives have long been spent happily together, in an isolated setting not too dissimilar from the one I found myself in.
When we enter the story, however, we know nothing of their normal lives together. All we know is that something is amiss. Joan has fallen under a mysterious and magical illness, and our sorceress Evelyn has already exhausted her own magical capacity. She is left desperate, with only one option left: to call on the gods for their aid. She is well aware that this could cost her her own life…
I love an act of self-sacrifice in a story. I will replay it in my head, on a loop, so that I may relish in the drama from all angles, like savouring all the flavours of a feast. And then I don’t really want to be told what happens next —I would rather be left wondering.
Hope you enjoy ~Bay xo
///
lyrics
Upon this eve
Darkened by her grief
At a bedside she does weep
For lying ill is her lover
Human creature now weak
Whose lips have grown cold
With no strength left to speak
And the spells she has tried
Have failed to succeed
And her powers are nearing their peak
And as risky as is
She’s one move left to play
A dance with the gods
So that her love may be saved
Oh
She’ll do what she must
To save her sweet Joan
So out of the cottage
Swiftly she goes
The bright night is heavy and cold
Her green frock that’s tattered
Now flaps as she patters
Along on her way toward the meadow
Oh
Off she goes
Quick like the wind blows
Through the trees
Escaping the light
Of a full moonlit night
And star-peppered sky
Deep in the meadow
Lie a circle of stones
Surrounding a pit all ablaze
And there at the centre
Our sorceress tames
A wild inconceivable flame
She chants as she works
With focus and fight
Her gaze keenly aimed at the sky
With precision she moves
Dancing round while she beams
And pleads to the gods
So that they join in her scheme
Oh
My gods
She screams
Lend me your aid
To save my sweet Joan
Oh
I do know
What risks I am taking
To save my sweet love
To answer the witch
The gods send a gift
A handful of stars
Lower down and join in
Oh what a sight
This coven of lights
All rotating ‘round
This fire burning white
Oh, we sing for you
My sweet Joan
Oh, we dance for you
My sweet Joan
My sweet Joan
My sweet Joan
My sweet Joan
My Sweet Joan
My Joan
we insist this fatal illness now fly
But by
By conjuring this magic I may die
Oh
I always said
That you’d be the death of me
But neither you nor I
Will be leaving tonight
No
My love
My soul
Don’t go
For I’d rather die
Than live a life alone
Oh
I always said
That you’d be the death of me
But neither you nor I
Will be leaving tonight
\\\
credits
released April 22, 2022
Recorded at Airtight Studios in Manchester, UK by Seadna McPhail.
Bay Bryan (producer, arranger, vox, guitar, piano), Fraser Langton (arranger/producer, clarinet, bass clarinet), Roisin Ni Dhuill (viola), Pete Mitchell (percussion), Sam Vicary (double bass)
Mixed/Mastered by Zach Kornhauser
Special Thanks to Casey Nimmer who wore many hats during the making of Sweet Joan and helped to make it all happen!
Bay Bryan is a singer/songwriter and performance artist based in Manchester (UK), originally from the Rocky Mountains of
Colorado (USA), whose music has been compared to Laura Marling, Sam Lee and Nick Drake.
Bay's current alt-folk concept album 'The Meadow,' released April 7th, 2023.
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